Cover of the eBook version of my life-work novel 'Eden's Womb', which consists of 650,000 words divided into seven 'books'. |
The basic formula for everything from a novel down to a bit of flash fiction, in a single sentence, looks like this:
"When <1. our hero> experiences <2. stimulus> they must < 3. overcome problem> in order to achieve <4. desired goal> or <5. face consequences>."
Here's how this formula translates into specifics for my seven-volume novel series entitled ‘Eden's Womb’ (which you can read right here on this blog or purchase on Amazon):
“When <1. the reluctant clairvoyant Adam Timberfell> encounters <2. the Strongmother Naja, mother of the universe>, she < 3. launches him on an epic quest> to <4. fulfill her mysterious obsession and to rescue humanity and the universe itself> from <5. imminent extinction.>”
A novel as long and complex as 'Eden's Womb' can interweave several such story lines. Each character can have their own distinctive one. Here's the over-arching one for most of the human characters:
... ... "When <1. Human kind> faces an array of <2. Hostile post-human species> they must < 3. Find and raise up their Last Messiah> in order to <4. Fulfill End-Time prophecy of immortality in a New Heaven and New Earth> or <5. Face annihilation, utter extinction, and the eternal wrath of the Strongmother Naja>."
I think it's a minimum requirement for an 'interesting' character (as opposed to a cardboard-cut-out of one) to have this sort of story-arc underlying their lives. After all, don't we all, here in this nasty, confusing real world?
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